Interactive Art: A gateway to the Abstract

Museum Studies intern at Carnegie Museum of Art – Fall 2018

This fall I’ve had the privilege of working under Marilyn Russell, the Curator of Education at the Carnegie Museum of Art, and Sally Cao, the Curatorial and Education Program Manager, during the Carnegie International 2018. I was tasked with analyzing and attempting to quantify Gallery ambassador surveys from the exhibits and helping to build a picture of how the ambassadors can assist the guests and enhance the visitor experience. While there are many examples of how they do this, what caught me the most was the passing comments of the visitors which were recorded by the ambassadors.

What stood out to me is just how much people from all ages had to say about the pieces. The art Labor piece focuses on consumerism and the effects it has on other countries. It uses Vietnamese coffee as an example, as the coffee industry has largely changed the agricultural landscape in that country for the purpose of the product being sold in other countries. The comments from the art labor exhibit range everywhere from “Where can I get coffee like this?” to “It’s like eco-gentrification” and everything in between. Although some of these comments miss the point, but perhaps that’s not the point. In analyzing art or anything else, one has to risk the chance of being wrong. Of course, this isn’t a definitive comment, but when I compare the volume of comments on the surveys along with the comments I’ve observed while wondering the exhibits myself, I’ve found that the amount of comments directed at interactive exhibits greatly surpass those at non-interactive exhibits. This might vary base on the demographic of the visitors. In any event, what follows those statements from what I’ve observed is engagement with the ambassador. This turns the idle comments into a deeper form of understanding including more abstract ideas. It’s my belief that the increase of comfort levels with art using this kind of interaction is the bridge to having the confidence to speak on the feelings one gets from interacting with art that is less physical.

Ultimately, I feel very privileged to have been able to work under people like Ms. Russell and Ms. Cao and work with their insight and experience to better understand how the guests interact with the museum and seeing how the museum also effects the guest and corresponding community as it opens their minds in various ways and to various topics which they otherwise might not be interacting with. I of course include myself apart of that latter category and attribute my better understanding of the museum’s important place in the community to this internship position and to the insights of the ambassadors and guests with whom I’ve spent time