Learning of the Local and the Global in the Art Gallery


Learning of the Local and the Global in the Art Gallery

Museum Studies Intern at the University Art Gallery - Spring 2019

My semester-long internship with the University Art Gallery promised from the start to be an exciting opportunity to expand my passion for audio-visual exhibition. The task was to assist with technological arrangements for an exhibition of Chinese video works being curated by Graduate Student Assistant Ellen Larson and set to open in the fall of 2019. The video technology aspect was mostly familiar territory for me, as I frequently organize pop-up microcinema events, which have afforded me with substantial experience in planning the logistics of presenting moving images in various formats. It was the geographic focus of the exhibition that mostly piqued my interest, as my knowledge of contemporary Chinese cinema was limited. As a cinephile who constantly endeavors to push my understanding of the medium and to foster a diverse knowledge base, this was one particular knowledge gap that I was eager to narrow.

The perspective shift from understanding the world through the art of residents of a country foreign to my own was a welcome aspect of the internship. What I did not anticipate that my work with the UAG would encourage, however, was a different understanding of the gallery settings that were already so familiar and close to home. As the semester progressed, I was delighted to find that, in addition to a steady diet of contemporary Chinese film and video works, I was also offered opportunites to consider gallery exhibition practice beyond my familiar territory of audio-visual needs. It was often precisely in the areas where expectations were not met that I encountered the most enlightening learning experiences.

Early in the semester, I had devised lists of equipment necessary to display each work selected for the exhibition. Moreover, I learned to use SketchUp software to create visualizations of each installation. The setups were generally straightforward -- display and playback devices, speakers, and various connecting cables -- though it was not until Ellen and I had the equipment in hand and completed a dry-run of the first setup that I began to understand some of the minutiae of exhibition planning for the gallery setting. With the installation assembled, I considered aesthetic details as precise as color and positioning of extension cords and other wires. 

Although such elements seemed inconsequential at the SketchUp stage, seeing the installations progress from visualization to realization allowed me to understand the importance of such diminutive details to the overall aesthetic of each piece.  It also allowed me to more fully appreciate the labor that takes place within exhibition spaces. In this way, my internship with the University Art Gallery has provided a new way of seeing not just at the global level through a newfound appreciation for contemporary Chinese audio-visual culture, but also right here in Pittsburgh, since no gallery visit will ever be quite the same for me again.

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