Temporalities

Author: Anika Agarwal
My time as an intern at the University Art Gallery allowed me to learn about and contribute to the critical work that goes into...
Two concrete paths both equipped with railings, one on the right with six steps of stairs, one on the left with a ramp, to access a raised concrete platform with chairs, a grassy area, trees. The platform is surrounded by a red brick building, and the single door directly parallel to 43rd street is the entrance for Associated Artists of Pittsburgh's Lawrenceville gallery space.
Author: Mythri Sundar
Associated Artists of Pittsburgh (AAP) works to connect visual artists with audiences and displays artists’ work in exhibitions...
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Author: Madeline Conigliaro
When people think of natural history museums some of the first exhibits that come to mind are mummied human remains or as many...
Author: Victoria Swindle
This fall I interned for the Senator John Heinz History Center here in Pittsburgh. Given the current situation, I was working...
Author: Melanie Pantano
To finish out my final semester at Pitt, I had the opportunity to be a Museum Studies Intern at Silver Eye Center for Photography...
Author: Ashton Crawley
For as long as I can remember, I’ve simply loved old things. I started at a young age by watching history documentaries with my...
Author: Clara Wang
As an artist, I am always interested in approaching art from new perspectives to discover how different views and experiences...
Author: Archer Klein
Picture the ground floor of Posvar Hall. Continuous renovations have turned old and dusty sitting areas into contemporary study...
Author: Christina Hansen
When exploring the hallowed halls of the Carnegie Museum of Natural History, guests might expect to find themselves enraptured by...
Author: Ryan Negron
There are always two sides to any conflict in life. In my time studying History at Pitt, I’ve narrowed the focus of my studies on...
Author: Stephen Dadio
Walking into the Anthropology department of the Carnegie Museum of Natural History I was confronted with an endless array of...
Contemporaneity: Historical Presence in Visual Culture CFP, Edition 8: “Yesterday’s Contemporaneity: Finding Temporality In...
The annual Digital Humanities conference is happening in Kraków, Poland this year. It is my first DH conference (thanks Alison for...
Our workshop ended on Friday the 13th with a beautiful day at the Carnegie Library of Braddock with the artist collective...
Hello all! Contemporaneity co-editors in chief invite you to submit to the department's journal Contemporaneity. The new deadline...
Last week, I got into the story surrounding Thomas Bruce and the Parthenon Marbles.  Now, let me tell you about the controversial...
With generous support from the Dean of Graduate Studies, ten HA&A graduate students (Maria Castro, Nicole Coffineau, Clarisse...
CAA has produced the pamphlet, "Code of Best Practices for Fair Use for the Visual Arts." It is clear, concise, and direct. Do read...
I've attached a short, interesting piece arguing that historians need to be more engaged with nonacademic publics.  The author...
ULS has recently subscribed to the peer-reviewed journal ARTMargins, published by MIT Press. According to its website, "ARTMargins ...
For those of you who weren't at the Agency meeting on Sept 28, we decided that we would take up the challenge offered by Barbara to...
...FIVE of the grants went to projects incorporating computing. ("The digital humanities community responded to NEH’s call for...
Ensuring long term access to digital information sounds like a technical problem. It seems like digital preservation should be a...